This one is pretty common, but, for some reason, hi-hat miking is not as prevalent in recording bibliography. One of life’s mysteries…
As Mike Major, author of “Recording Drums: The Complete Guide” mentions: “Under most circumstances, it’s better to throw something on the hi-hat as a safety net or as a precaution for the subsequent mix. Even if you don’t end up using it, it will be there if you need it.” Wise words from a seasoned professional.
Basics for miking a hi-hat:
- Since hi-hats have a sharp attack, small diaphragm condensers with high SPL (Sound Pressure Level) are preferred. Examples are Neumann KM184, AKG P170 or Shure SM81.
- Place the mic toward the outside of the top cymbal, about two inches from the edge, pointing straight down. Do it on the opposite side of the snare (as far from it as possible), in order to isolate it as much as possible. If this sound doesn’t work for you, you can start angling the mic towards the snare, see how that works.