Set up your stereo overheads in an ORTF configuration and place a microphone inside the bass drum (or just outside), to avoid additional bleeding; and a (preferable) dynamic mic on the snare, about 3 fingers from the top head.
Micing drums with 4 mics can be done with Innovative Techniques or Classic stereo overhead techniques.
Micing drums with 4 mics can be done with Innovative Techniques or Classic stereo overhead techniques.
Recording drums with 3 mics can be done with Innovative Techniques or Classic stereo overhead techniques.
Recording drums with 3 mics can be done with Innovative Techniques or Classic stereo overhead techniques.
This section will be divided in 2: Techniques developed based on necessity & and Classic Stereo Overhead techniques.
This section will be divided in 2: Techniques developed based on necessity & and Classic Stereo Overhead techniques.
“If I have 1 microphone, in how many ways can I record my drums? If I have 2, 3, 4 and so on? How can I use them?”
This free guide was created to answer these questions. To inspire you, give you ideas. Some might work for you, some might not, and that’s OK.
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Drums are the heartbeat. Drums are life.
