Recording Drums With 1 to 11 Mics
How To Record Drums With Stereo Ambience Microp...
Ambience mics provide additional natural colors to the sound that are fantastic. The reverb, the trashy-rock and roll vibe, the depth.
How To Record Drums With Stereo Ambience Microp...
Ambience mics provide additional natural colors to the sound that are fantastic. The reverb, the trashy-rock and roll vibe, the depth.
How To Mic A Hi-Hat
Place the mic toward the outside of the top cymbal, about two inches from the edge, pointing straight down.
How To Mic A Hi-Hat
Place the mic toward the outside of the top cymbal, about two inches from the edge, pointing straight down.
How To Record Drums With An Ambience Mic
Placing an ambience mic is never a bad idea. If you can place more than one in different places of the room, they will just give you more choices.
How To Record Drums With An Ambience Mic
Placing an ambience mic is never a bad idea. If you can place more than one in different places of the room, they will just give you more choices.
How To Record Drums With A Mic On The Wall
The idea behind this technique is to pick up the sound that’s bouncing off the wall. So, for this to work, your walls have to have some sort of rebound...
How To Record Drums With A Mic On The Wall
The idea behind this technique is to pick up the sound that’s bouncing off the wall. So, for this to work, your walls have to have some sort of rebound...
How To Record Drums With A Mic On The Floor
This is also called the “Pressure Zone Microphone” or “Boundary” mic. There are basically 2 schools on having a mic on the floor.
How To Record Drums With A Mic On The Floor
This is also called the “Pressure Zone Microphone” or “Boundary” mic. There are basically 2 schools on having a mic on the floor.
How To Record Drums With 10 Mics: The Blumlein ...
The most used approaches with 10 microphones: Overhead stereo techniques with a mics on bass drum in, out, snare top, bottom, one for each tom and hi-hat.
How To Record Drums With 10 Mics: The Blumlein ...
The most used approaches with 10 microphones: Overhead stereo techniques with a mics on bass drum in, out, snare top, bottom, one for each tom and hi-hat.